Notable pipe organs in the city of Buenos Aires - Argentina

Visit "Notable Pipe organs in Buenos Aires-Argentina " at :

http://www.stylusfantasticus.com/index.php?sec=organos2&m=1&id=12&_pagi_pg

to see and listen the historic instruments in the city plus interesting additional info. By Rafael Ferreyra.

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Audio on page below:

http://www.stylusfantasticus.com/index.php?sec=organos2&m=1&id=7&_pagi_pg=

http://www.stylusfantasticus.com/index.php?sec=organos2&m=1&id=28&_pagi_pg=2

Stralsund Stellwagen Organ 1659

HISTORY



The Stellwagen organ of St Mary’s Church, Stralsund was completed in the middle of the 17th century and is the largest organ of its kind still existing in Europe. It is the only large-scale Baroque organ that has ever been preserved in one of the brick Gothic style basilicas in Northern Germany. Its construction and sound resemble the famous, though no longer existing, instruments of St. Mary’s Church in Lübeck and St. Catherine’s Church in Hamburg, which both had become centres of the North German art of organ-playing through the work of Franz Tunder, Dietrich Buxtehude, Heinrich Scheidemann and Jan Adam Reinken during the 17th and early 18th centuries. 

Only two instruments testify today to the work of Friedrich Stellwagen: the small organ in the Church of St. Jacob in Lübeck, which is a remodelled and enlarged Gothic instrument, and the organ in St. Mary’s in Stralsund, the largest and final instrument of his workshop. With its 51 registers on three manuals and pedals, 12 bellows and the over 20 m high case construction, it has become a masterwork of the craft and art of 17th century organ building.

The famous Stellwagen organ in Stralsund.*

Stamm plays Buxtehude Prelude and Fugue major

Recording from the concert on 6th September 2009 in the Catholic parish church Sankt Andreas Leverkusen-Schlebusch, Germany. I mixed this recording with extra recordings showing the pedal passages and inserted pictures of Buxtehude, his city Lübeck, a part from his beautiful old organ in the Marienkirche (destroyed during the war) and the famous Stellwagen organ in Stralsund.

*this is the only You Tube labelled "Stellwagen organ  Stralsund" but this appears to be incorrect. We are attempting to obtain a replacement You Tube with the correct sound from the organist of the Stellwagen organ..

Klangbeispiel: Heinrich Scheidemann - Fuga d-moll
(Principal 8´Rückpositiv, mitteltönig, vor der Restaurierung)
an der Orgel: Martin Rost anhören

Building history of the Stellwagen organ of St. Mary’s Church

1653–59
Building of the organ by Friedrich Stellwagen.
Friedrich Stellwagen, who was born in Halle/Saale, in 1603, came to Hamburg around 1630 as a journeyman to Gottfried Fritzsche, organ builder by appointment to the Elector of Saxony. By 1635 he had established himself as an independent master craftsman in Lübeck. He worked mainly in Hamburg and Lübeck and died in Lübeck early in 1660, shortly after the completion of his largest and greatest work, in St. Mary’s, Stralsund.
 

1775
Repair and reconstruction carried out by Ernst Marx from Berlin.
 
1828


Repair and reconstruction carried out by Carl August Buchholz from Berlin. Between 1863 and 1873 repair works and tonal modifications were carried out by Friedrich Albert Mehmel from Stralsund.

1943
Details of the organ were listed and recorded by the experts of the Keibel company. Thereafter, the Lübeck organ-building workshop of Emanuel Kemper dismantled and relocated the organ to Keffenbrink Castle near Grimmen.

1945
The relocated organ parts were brought back with the aid of the Soviet Army.

1951–59
Gradual rebuilding and reconstruction of the former disposition by the workshop of the Potsdam organ builder Alexander Schuke under the specialist supervision of church music director Dr Dietrich Prost.

1972
Reconstruction of the reed pipe registers by the organ-building workshops of Carl Giesecke from Göttingen and Alexander Schuke from Potsdam.

1999–2000
The entire organ was structurally surveyed and its data recorded by the Gothenburg Organ Art Center, the organ-building workshops of Kristian Wegscheider from Dresden and Alexander Schuke from Potsdam, and a restoration team led by Hilke Frach-Renner. The work was financed by the Alfried Krupp von Bohlen und Halbach Foundation. The original register signs of the casing from 1659 were restored by Hilke Frach-Renner (Dresden).

2003–08
Restoration of the Stellwagen organ by the Dresden organ-building workshop of Kristian Wegscheider, Hans van Rossum from Andel, Netherlands and Gunter Böhme from Dresden. The restoration of the organ prospect with ornamentation is carried out by the Dresden artist’s workshop of Stephan Türmer and Hilke Frach-Renner. The whole project is financed by the Hermann Reemtsma Foundation, Hamburg

DISPOSITION

Hauptwerk (II)

Principall. 16' im Prospekt
Bordun. 16'
Octava. 8'
Spitz Flött. 8
Hollquinta. 5 1/3'
Super octav. 4'
Holl Flött 4'
Flachflött 2'
Rauschpfeiffe 2-4fach
Mixtur 6-10fach
Scharffs 4-6fach
G.Trommet. 16'

Rückpositiv (I)

Gr.Quintadeen. 16'
Principall. 8' im Prospekt
Gedact. 8'
Quintadeen.8'
Octava. 4'
Dultz Flött. 4'
Feltpfeiffe. 2'
Sifflitt. 1 1/3'
Sesquialtra. 2fach
Scharffs. 6-8fach
Zimbell. 3fach
Dulcian. 16'
Tröchter Regal. 8'
Jungfernregal 4'

Nebenzüge

Glocklein
Werckventil
Ventil.zum.ober posidiff
Ventill.zum.bas.
Ventil.zum.Rückposidiff
Tremulant.
Zimbelstern.
Tromell.
Vogelgeschrei

Oberpositiv (III)

Principall. 8' im Prospekt
Holflött. 8'
Octava. 4'
G.Plockflött. 4' (urspr. 8')
Kl.quintadeen. 4'
Nasatt. 2 2/3'
Gemshoren. 2'
Scharffs 4-7fach
Trommet. 8'
Krumhoren 8'
Schalmey 4'

Pedal

Gros.principall.Bas 32'
        ab F, im Prospekt
Principall Bas. 16'
Gedact.undersatz. 16'
Octaven Bas. 8'
Spitzflött Bas. 8'
Superoctav Bas. 4'
Nachthoren Bas. 4'
Feltpfeiffen Bas. 2'
Mixtur Bas. 4fach
Posaunen Bas. 16'
Trommet Bas. 8'
Dulcian Bas. 8'
Schallmey Bas. 4'
Cornet Bas. 2'

Koppeln
III/II (Schiebekoppel) 

Stimmung
a=462 Hz, mitteltönig 
  

Technische Details

Register: 51 klingende Register auf 3 Manualen und Pedal
Pfeifen: etwa 3500 Pfeifen
Windladen: 8 Windladen (2 für Hauptwerk, 1 für Oberpositiv, 1 für Rückpositiv, 4 für Pedal)
Tonumfänge: Manual C,D-c''' - Pedal C,D-f '
Balganlage: 12 Keilbälge, zusätzlicher 13. Keilbalg für Betrieb mit Elektrowinderzeuger (Fabrikat Laukhuff)
Stimmtonhöhe: Chorton, a=462 Hz
Stimmungsart: mitteltönig
Gesamthöhe des Prospektes: über 20 Meter
Bildhauerarbeit: im Stil des niederländischen Knorpelbarock
größte Prospektpfeife: F des Gros.principall.Bas 32' , ca. 9 Meter lang, Gewicht 240 kg

Congregational Singing and organ from Holland

Eusebiuskerk, Arnhem

Titel :Nieuw Jeruzalem
Lichtstad met uw paarlen poorten,
wondre stad zo hoog gebouwd
nimmer heeft men op deez aarde
ooit uw heerlijkheid aanschouwd.

Daar zal ik mijn Heer ontmoeten,
luistren naar zijn liefdesstem,
daar geen rouw meer en geen tranen
in het Nieuw Jeruzalem.

Heilig oord, vol licht en glorie,
waar de boom des levens bloeit
en de stroom van levend water
door de gouden Godstad vloeit.

Daar zal ik mijn Heer ontmoeten,
luistren naar zijn liefdesstem,
daar geen rouw meer en geen tranen
in het Nieuw Jeruzalem.

Wat een vreugde zal dat wezen,
straks vereend te zijn met Hem.
In die stad met paarlen poorten,
in het Nieuw Jeruzalem.

SCOTTISH PSALTER

Reformed Presbyterian Psalm Singing

Choir Soli Deo Gloria

Soli Deo Gloria sings "Amazing Grace":



Soli Deo Gloria zingt "O Eeuw'ge Vader sterk in macht":



Soli Deo Gloria zingt "Heer ontferm U":



Soli Deo Gloria zingt "Wonderbare Kracht":



Soli Deo Gloria sings "Four books in the Bible":




Soli Deo Gloria sings "O Mary don't you weep":



Soli Deo Gloria sings "God's choir in the sky":




Soli Deo Gloria sings "Coming Home":

Bovenkerk Kampen 1743 Hinz Organ

THE VIDEO BELOW ILLUSTRATES THE REASON FOR THE EXISTENCE OF THE PIPE ORGAN:

SOLA DEO GLORIA

André van Vliet plays Psalm 130 by J.P. Teeuw on the Hinsz organ of the Bovenkerk in Kampen.

Dick Sanderman On the Hinsz organ of the Bovenkerk Kampen (Holland)

History

Little is known about the oldest organ of the Bovenkerk. It is generally accepted that a large organ built by Johan van Kovelens (or J. van Covelen) was placed in the Bovenkerk between the years 1520-1523. The oldest pipe work of this organ (especially the flutes 4’ and 2’ of the upperwork) most likely originates from Jan Morlet (1629).
 
In 1676 Johan Slegel completed a new instrument for which he utilized material from the old organ. In the years 1694-1712 Johan Duyschot made some alterations to the organ and also took care of its maintenance.
 
Albertus Anthoni Hinsz performed some elaborate work on the organ in the years 1741-1743. He designed a new case, renewed all the reservoirs, wind chests as well as the action. At the same time a number of stops were added to the organ making it the largest organ built by Hinsz.
 
During the years 1788-1790 H.H. Freytag and F.C. Schnitger Jr. added an eight rank independent pedal as well as a Borstwerk of four voices which was playable from the Bovenwerk manual. The Dulciana from the Rugwerk was transferred to this new Borstwerk. In the new available space they placed a Fagot 16’ on the Rugwerk.
 
During the nineteenth century the organ builders Van Gruisen, Scheuer and Naber did some work on the instrument. In 1866 the organ builder Zwier van Dijk from Kampen added a separate manual for the Borstwerk. He also added some more stops to it.
 
The major restoration (1967-1975) was carried out by the organ builder Bakker & Timmenga from Leeuwarden. The most important question was, which specification to use as a starting point, the one from 1790 or the one from 1866. They finally opted for a solution which made it possible to maintain eight stops from the period 1820-1866.
 

In 2000 the whole instrument was “revitalised” by the organ builder Reil. The whole organ was cleaned and checked for proper speech. They also connected the seven “keilbalgen” wedge bellows to the wind machine. Apart from that the mechanical action was carefully adjusted and repaired where necessary. This whole project was carried out in cooperation with the consultant, Mr. Rudi van Straten.

"Daar juicht een toon" on the organ of the Bovenkerk,

Kampen by K.J. Mulder

DISPOSITION

Hoofdwerk (Manuaal 2)

Prestant 16' 1743
Bourdon 16' 1676
Prestant 8' 1676/1743
Holpijp 8' 1676
Octaaf 4' 1676
Fluit 4' 1676
Quint 3' 1676
Superoctaaf 2' 1676
Mixtuur B/D 3-5 st 1676
Tertiaan 2 st 1975
Scherp 3 st 1975
Trompet B/D 16' 1743
Trompet 8' 1743

Rugwerk (Manuaal 1)

Prestant 8' 1743
Holpijp 8' 1676
Octaaf 4' 1743
Fluit 4' 1676/1743
Gedakt Quint 3' 1743/1975
Octaaf 2' 1676
Fluit 2' 1743/1975
Sifflet 1' 1975
Sexquialter D 3 st 1975
Mixtuur 3-4 st 1676-1743
Fagot 16' 1790
Tremulant

Borstwerk (Manuaal 4)

Gedakt B/D 8' 1790
Fluit B/D 4' 1790
Woudfluit 2' 1790
Dulciaan 8' 1743
Tremulant

Bovenwerk I (Manuaal 3)

Prestant 8' 1676/1743
Roerfluit 8' 1743
Quintadeen 8' 1676
Fluit 4' 1629
Octaaf 4' 1975
Speelfluit 3' 1743
Germshoorn 2' 1629
Nassat 1 1/3' 1975
Scherp 3 st 1975
Vox Humana 8' 1676/1743
Tremulant

Bovenwerk II (Manuaal 3)

Holpijp 8' 1825
Salicionaal 8' 1825
Fluittravers 8' 1825
Principaal 4' 1825
Spitsfluit 2' 1825
Flageolet 1' 1825
Carillon D 3 st 1825
Trompet 8' 1825

Pedaal

Prestant 16' 1743
Subbas 16' 1790
Octaaf 8' 1790
Gedekt 8' 1790
Roerquint 6' 1790
Octaaf 4' 1790
Open Fluit 2' 1975
Bazuin 16' 1790
Trompet 8' 1790
Cornet 4' 1790

Organists of the Bovenkerk:

Nicolaus Koleman (circa 1403) Ludeken Roelofsz (circa 1470) Heer Melio (circa 1474) Meister Joergen (circa 1476) Heer Berent (circa 1477) Heer Luyken (circa 1483)  Meester Jacob Zyll of Her Zill (circa 1483) Berent van Wesell (mogelijk van circa 1477 - circa 1500) Reyner Bogerman (circa 1500 - circa 1520) Meester Jan de Vos van Mechelen (circa 1520 - circa 1525) Meester Dubbelt Dubbeltsz. (1526-1548/1560) Rombout [de Vos van Mechelen] (1549-1560) Meester Job Borchartsz. (1560-1564) Meester Willem Andriessen (1565-1608) Johan Thijssen of Jan Matthijsen (1609-1612) Meester Arent Jansen van Munster (1612-1618) Cornelis Jansen (1618-1664) Hendrik van Benthem "de Jonge" (1664-1673) Gijsbert van Steenwijck (1673-1679) Johannes Kempher (1679-1691) Theodorus Holtius (1691-1700) Luichjen Wolters (1700-1705) Jan Nicolaas Berff (1705-1736) Bernardus Breunissen (1737-1740) Willem Bruinier Jz. (1741-1745) Caspar Berghuijs (1745-1786) Comelis Buys (1786-1791) Cornelis Berghuis (1791-1804) Jan Herman van der Dussen (1805-1859) Zwier van Dijk (I 859-1894) Jan Proper (1894-1919) Dirk Jan Proper (1919-1946) Theodorus Willem van Dijk (1946-1951) Gradus Wendt (1951-1954) Willem Hendrik Zwart (1954 tot 1995) Ab Weegenaar (1995 tot heden)

Passau Dom Organ Germany -Five Organs- 18000 pipes

Passau is in southeastern Bavaria, at the intersection of 3 rivers: the Inn, the Danube, and the Ilz

Passau stakes claim to being "The largest organ outside the U.S." In any event, it's huge: 18000 pipes.



It's actually 5 instruments situated at various places around the building: 357 ranks, all playable from a central 5-manual console in the gallery.



HISTORY AND DISPOSITION:

5 Manuals, 326 Ranks, 229 Registers, 17.974 Pipes.

Already in the Middle Ages the Passau Cathedral had a large organ, of which the details have been lost. This organ was destroyed in a 1662 fire in the cathedral.
1682 In this year a new organ was built with 23 registers by Leopold Freundt (Passau); and later enlarged to 28 registers.
1715 Construction of two Swallows-nest-organs with 10 registers to the Vierungs pillars by Johann Ignaz Egedacher.
1731 Construction of the main organ with about 40 registers on 3 manuals by Ignatz Egedacher (Case of Josef Matthias Götz preserved)
1733 Expansion to 49 registers by Egedacher.
1824 major repairs on the main organ by Georg Adam Ehrlich (Wiesentfelser).
1857-1858 Implementation of Swallows-nest-organs on the two side galleries (Epistle and Gospel side), presumably by Ehrlich.
1886 New construction of the main organ with 73 registers and 5,237 pipes in the existing case by Martin Hechenberger (successor of Ehrlich), and by the end of the 19th Century a further extension to 75 registers by Hechenberger.
1924 start of organ building in the existing cases by Steinmeyer.
1924-1928 built by G.F. Steinmeyer (Oettingen) using the old main organ case of 1731 (JM Götz).
1977-1981 extensive restoration of 55 (partially reworked) registers of the Steinmeyer organ by Louis Eisenbarth (Passau).
1993 renovation of the Fernorgel (new case) containing the re-worked pipes by Eisenbarth.
The complete pipework of the 5 individual organs, is re-organized and made playable jointly on the 5-manual main console. Each manuals disposition data is accessible from the main console, and also mechanically on its own console.


Until the 1990's, the Passau Domorgan was the largest church organ in the world. Presently it is "only" the largest Domorgan (and third largest church organ) of the World.

The main organ’s 76 registers (120 Ranks) marked * are optionally also playable from its own mechanical 4-manual console. A rebuilding plan has been prepared, but as of 2008 has not been scheduled.

ORGAN DISPOSITIONS (5 ORGANS):

HAUPT ORGAN

I. Hauptwerk 44 (26)

Grand Bourdon 32 ab c
Großpraestant 16 *
Gedacktpommer 16
Principal major 8
Principal minor 8 *
Flûte traversière 8
Gedackt 8 *
Viola da Gamba 8 *
Octave 4 *
Spitzflöte 4 *
Fugara 4
Terz 3 1/5
Quinte 2 2/3 *
Kleinoctave 2 *
Nachthorn 2
Superoctave 1 *
Cornet V ab f, *
Mixtura major VII-VIII 2, *
Mixtura minor V 1 1/3
Cymbel V 1, *
Chamade 16 D
Trompete 16 *
Chamade 8
Trompete 8 *
Chamade 4
Trompete 4
Chamade 2 B
+ Cymbelstern 6 Glocken

II. Positiv 33 (23)

Rohrflöte 16
Praestant 8 *
Bordun 8 *
Flauto amabile 8
Gambe conique 8 *
Unda maris 8 ab c
Principal 4 *
Koppelflöte 4 *
Gemshorn 4
Nasard 2 2/3 *
Octave 2
Waldflöte 2 *
Terzflöte 1 3/5 *
Kleinquinte 1 1/3 *
Octävlein 1 *
Nonenflöte *
Cornettino IV 4
Mixtur V 1 1/3, *
Acuta IV 1, *
Fagott 16
Corno di caccia 8
Vox humana 8 *
Rohrschalmei 4 *
+ Tremulant regelbar

III. Bombardewerk 40 (29)

Stillgedackt 16 *
Gamba 16
Principal 8 *
Nachthorngedackt 8 *

Photo: Martin Doering / www.die-orgelseite.de

Flûte harmonique 8
Tibia clausa 8
Jubalflöte 8
Salicional 8 *
Vox caelestis II 8, ab c
Octave 4 *
Traversflöte 4
Quintade 4 *
Viola d'amour 4
Spitzquinte 2 2/3 *
Doublette 2 *
Schweizerpfeife 2
Salicet 2
Gemsterz 1 3/5 *
Larigot 1 1/3 *
Septime 1 1/7
Sifflet 1 *
Großmixtur V-VII 2 2/3, *
Tintinabulum II 1, *
Quintcymbel IV
Bombarde 16
Trompette harmonique 8
Hautbois 8 *
Euphon-Clarinette 8
Clairon 4 *
+ Celesta
+ Schweller
+ Tremulant regelbar

IV. Brustwerk 22 (16)

Holzprincipal 8 *
Lieblich Gedackt 8 *
Quintade 8 *
Praestant 4 *
Rohrflöte 4 *
Principal 2 *
Holzblockflöte 2 *
Superquinte 1 1/3 *
Hohlpfeife 1 *
Sesquialtera II 2 2/3, *
Scharff IV 2/3, *
Terzcymbel III 1/6, *
Dulcian 16 *
Cromorne 8 *
Bärpfeife 8 *
Geigend Regal 4 *
+ Carillon *
+ Tremulant regelbar

Pedal 41 (29)

Contraprincipalbass 32 *
Untersatz 32
Principalbass 16 *
Majorbass 16
Subbass 16 *
Gemshorn 16 *
Violon 16
Quintbass 10 2/3
Octavbass 8 *
Flûte 8
Gedackt 8 *
Viola alta 8
Terzbass 6 2/5
Nasard 5 1/3
Septime 4 4/7
Trichterflöte 4
Pommer 4 *
Bauernpfeife 2 *
Blockflöte 1 *
Principal-Piffaro II 4 + 2, *
Rauschpfeife V 4, *
Obertöne IV 3 1/5
Mixtur V 2 2/3, *
Contrabombarde 32 (full length)
Posaune 16
Bombarde 16 *
Trompetenbass 8 *
Feldtrompete 4 *
Zink 2 *
+ Tremulant (Kleinped.) regelbar

EVANGELIEN ORGAN

HAUPTWERK 33 (22)

Cor de Nuit 16
Grand Principal 8
Rohrgedackt 8
Bifara 8
Holzgeige 8
Grosse Quinte 5 1/3
Octave 4
Flûte allemande 4
Flûte de Vienne 4
Vox angélique II 4
Grosse Tierce 3 1/5
Nasard 2 2/3
Septième 2 2/7
Flageolet 2
Piccolo 1
Harmonica aetherea IV 2 2/3
Fourniture VII 2
Tercian II 1 3/5
Trompette 16
Trompette 8
Saxophone 8
Trompette 4
+ Schweller
+ Tremulant regelbar

PEDAL 3 (3)

Principal 16
Montre 8
Prestant 4

EPISTEL ORGAN

Hauptwerk 14 (9)

Principale 8
Piffaro 8 ab c
Amorosa 8
Ottava 4
Alba 4
XII 2 2/3
Flauto in XV 2
Ripieno VI 2
Tromba 8
+ Tremulant

Positive 10 (10)

Flauto a camino 8
Principalino 4
Divinare 4
Ottavino 2
XII 1 1/3
XV 1
XVII 05-Apr
XIX 03-Feb
XXII 02-Jan
Tromboncini 16
+ Tremulant

Pedal

Contrabassi 16
Subbassi 16
Principale 8
Pileata 8
Ottava III 4 + 2 + 1
Buccina 16

CHOIR ORGAN

Hauptwerk 16 (10)

Quintade 16
Principal 8
Rohrflöte 8
Octave 4
Spitzflöte 4
Quinte 2 2/3
Superoctave 2
Mixtur V-VII 1 1/3
Trompete 16
Trompete 8

Oberwerk 14 (10)

Nachthorngedackt 8
Violflöte 8
Principal 4
Blockflöte 4
Rohrpfeife 2
Nachthorn 1
Sesquialtera II 2 2/3
Scharff IV 1
Rankett 16
Krummhorn 8
+ Schweller
+ Tremulant

Positief 8 (6)

Barem 8
Rohrflöte 4
Principal 2
Nasat 1 1/3
Cymbel III
Vox humana 8
+ Tremulant

Pedal 15 (12)

Principal 16
Subbass 16
Praestant 8
Holzoctave 8
Gedackt 8
Octave 4
Sifflöte 2
Rauschpfeife IV 2 2/3
Posaune 16
Dulcian 16
Trompete 8
Singend Kornett 2

FERN ORGAN (in ceiling)

HAUPTWERK 21 (14)

Salicional 16
Principal 8
Rohrgedackt 8
Flûte harmonique 8
Philomela 8
Viola 8
Viola celeste 8 ab c
Geigend Principal 4
Hohlflöte 4
Octavin 2
Progressio III-V 2 2/3
Harmonica aethera IV 2
Trompete 8
Vox humana 8
+ Glocken E - g1
+ Tremulant

PEDAL 4 (4)

Kontrabass 16
Subbass 16
Principal 8
Posaune 16