Friday, October 16, 2009

Mariastein Basilica(Switzerland)

monastery in Metzerlen-Mariastein in the Canton of Solothurn, Switzerland. Mariastein, after Einsiedeln, is the second most important place of pilgrimage in Switzerland. Over the Chapel of Grace (''"Gnadenkapelle"'') now stands a late Gothic three-aisled basilica. The interior is Baroque and the entrance facade classical.




Johann Sebastian Bach (1685-1750) Triple Fugue in E flat major BWV 552
Marie-Claire Alain at the Metzler organ in Mariastein Basilica


 

Johann Sebastian Bach (Eisenach 1685 - Leipzig 1750) Prelude and fugue in g minor BWV 535
Marie-Claire Alain, Metzler organ (Mariastein Basilica) 





Johann Sebastian Bach, Praeludium und Fuge e-moll BWV 548-1
Organist: Marie-Claire Alain
Organ: Metzler of of the Mariastein Basilica(Switzerland)







Johann Sebastian Bach, Praeludium und Fuge e-moll BWV 548-2
Organist: Marie-Claire Alain
Organ: Metzler of of the Mariastein Basilica(Switzerland)




DISPOSITION OF THE ORGAN


Grand Orgue
Bourdon 16'
Principal 8'
Hohlflöte 8'
Bourdon 8'
Octave 4'
Spitzflöte 4'
Quinte 2 2/3'
Superoctave 2'
Terz 1 3/5'
Cornett V Diskant 8'
Mixtur IV 1 1/3'
Trompete 8'

Brustwerk
Coppelflöte 8'
Salicional 8'
Principal 4'
Gedackt-Flöte 4'
Gemshornquinte 2 2/3'
Nachthorn 2'
Terz 1 3/5'
Krummhorn 8'
Tremulant

Oberwerk
Principal 8'
Bourdon 8'
Viola da Gamba 8'
Octave 4'
Rohrflöte 4'
Flageolet 2'
Cornett III 2 2/3'
Mixtur III-IV 1'
Fagott - Oboe 8'

Pedal
Unterstaz 32'
Principal 16'
Subbass 16'
Octavbass 8'
Bassflöte 8'
Mixtur IV 2'
Posaune 16'
Trompete 8'
Clairon 4'


 

Flentrop-Organ Grote Kerk in Breda



GROTE or ONZE LIEVE VROUWE KERK in BREDA


Historical documents already mention an organ as early as 1410. Breda then was the important court of the Nassaus and a large wealthy commerce city. In 1429 a certain Mr. Jannes wt Brabant worked on the organ. From 1492 on the organists of the church are known.




In 1543 on the South-West wall opposite the in 1525 erected chappel a for that time large organ was built. This instrument is still the basis for the present organ. Probably due to the big city fire in 1534 the contract was never totally realized. The organbuilder is not known, but all indications point to Hendrik Niehoff, the famous Organbuilder from Brabant who had completed the organ in the St. Jans Cathedral in 's-Hertogenbosch three years before. At least the organ case comes from 's-Hertogenbosch. A remarkable detail is the spring chest of the organ.


In 1536 a small positive for the accompagniment of the choir is built by Hans Graurock from Zutfen. Maybe it is him also who did build the big organ. Then Ysbrant Claeszoon
from Breda worked on the organ in 1543, 1546 and 1549. It is not known which stops he added to the organ.
In 1566, just before the iconoclasm, the pipes were removed from the organ and stored in a cellar at the city hall. Maybe there was no time to save the largest pipes that were lost. In the following period the church becomes alternated catholic and protestant and the condition of the organ deteriorates.
In the period until 1693 various organbuilders worked on the organ until Jacobus Zeemans was appointed who was an organist and organbuilder.
Zeemans did build and maintain many organs in Breda, like in the Grote Kerk (1710-1714), the Markendaalse Kerk (1711) and the Catholic Schuilkerk (1722). He also delivered many organs to villages around Breda, like in Leur.
After the death of Zeeman in 1744 a pupil of the famous Christiaan Mueller the organbuilder Johan Heinrich Hartmann Bätz was addressed for an investigation and the maintenance of the organ. In the turbulent period until 1815 again many unknown organbuilders worked on the organ. Then in 1816 the name C. van Oeckelen is mentioned in the archives. He carried out a number of repairs. In 1843 a large repair was assigned to Maarschalkerweerd en Stulting.


In 1938 the organ is restored by H.W. Flentrop in Zaandam under the leading of the organist Willem Mathlener and mr. A. Bouman from the Dutch Carillon and Organ Council. After restoration of the church between 1904 and 1956 a new organ was ordered from D.A. Flentrop in Zaandam while using as much old parts as possible. In 1969 the organ was inaugurated and is still in use in the Grote Kerk. It is a unique instrument and famous far beyond the Dutch border.

The organ counts 53 stops and 4 manuals and pedal. In total it counts 3780 pipes. The Borstwerk dates probably from 1760 and was found in an old barn in Athis (Belgium). The Hobo 8' from the Bovenwerk was built by Anneessens and was saved from the former Catholic Cathedral in Breda. The Schalmei 8' from the Bovenwerk originally was built around 1750 by J.B. le Picard for an organ in Walshoutem (Belgium).

The organ in the Grote Kerk of Breda is one of the larger organs in the Netherlands and the history goes back to the 16th century. At that time the organ only possessed 16 stops. After being displaced several times the organ arrived at its present spot in 1712. This happened under directions of the organist and organ builder Jacobus Zeemans who carried out various extensions and installed a new case for the Great. The old case was used for the Positive. After several renovation activities by a/o Johann Heinrich Hartmann Bätz, the organ got a new wind supply in 1780. Afterwards organ builders like C. van Oeckelen and Maarschalkerweerd further extended the organ. In 1904 the renovation of the church started and the organ was dismantled a few times.





After the completion of the church restoration Dirk A. Flentrop from Zaandam built in 1966 under the supervision of organist and organ expert Jaap Hillen a new instrument into which old pipes and parts were partly used. The Borstwerk mainly consists of materials from an old (from 1760) Belgian organ. Some other historical stops used were the Hobo 8’ (built by Anneessens) and the Schalmei 8’ (built around 1750 by J.B. le Picard).



At the time the organ was built, Jan L. van den Heuvel was one of Dirk Flentrop’s employees so he knew the organ, and the work of Flentrop, quite well.

Between early October 1999 until May 2000 the restoration of the large four manual Flentrop organ in the Cathedral of Breda (Netherlands) took place. This unique instrument, famous far beyond the Dutch border, counts 53 stops and 3780 pipes.




This important restoration contract was awarded to one of Dirk Flentrop’s former employees Jan L. van den Heuvel, who registered himself as independent organ builder in 1967. In the past 33 years the valuable and approved technical building principles from the earlier glorious period of Dutch organ building were all applied by Jan L. van den Heuvel-Orgelbouw and their reputation was established worldwide.

Jaap Hillen, who acted already in 1966 as organ expert, again was the consultant.
The organ was re-inaugurated on May 28th, during this concert Jaap Hillen († 27 juni 2008) celebrated his 50-year jubilee as organist of the Grote- of Onze Lieve Vrouwe Kerk.







The organ of the Grote Kerk in Breda is one of the few complete mechanical 4-manual organs of the Netherlands. It has an interesting history which dates from before 1530. The organ has been restored in 1969 by Flentrop.

In 2000, after the restoration of the church building, the organ has been completely overhauled by Van den Heuvel Orgelbouw in Dordrecht.





STOP LIST

Hoofdwerk


Prestant 16'
(double from a1 )
Octaaf 8'
Roerfluit 8'
Octaaf 4'
Quintadeen 4'
Quint 2 2/3'
Mixtuur IV-V
Scherp IV
Cornet V
(from c1)
Trompet 16'
Trompet 8'







Rugwerk


Prestant 8'
(double from f )
Holpijp 8'
Octaaf 4'
Fluit 4'
Octaaf 2'
Quint 1 1/3'
Sesquialter II
(from a)
Mixtuur IV
Dulciaan 8'
Tremulant
(2 speed)


Bovenwerk


Gedekt 16'
Prestant 8'
(double from f )
Holpijp 8'
Viola 8'
Octaaf 4'
Openfluit 4'
Nasard 2 2/3'
Fluit 2'
Terts 1 3/5'
Flageolet 1'
Mixtuur IV
Schalmei 8'
Hobo 8'
Tremulant


Borstwerk


Gedekt 8'
Quintadeen 8'
Prestant 4'
Roerfluit 4'
Gemshoorn 2'
Quint 1 1/3'
Cornet V
(from cis1)
Vox Humana 8'
(bas/discant, c1/cis1)
Tremulant

Chimes (24 tones)
Cimbelstern

Pedaal

Prestant 16'
Subbas 16'
Octaaf 8'
Gedekt 8'
Roerquint 5 1/3'
Octaaf 4'
Nachthoorn 2'
Mixtuur V
Bazuin 16'
Trompet 8'
Klaroen 4'





Johann Sebastian Bach (1685-1750) Prelude and fugue in A minor BWV 543 Daniel Chorzempa, organ




C.Franck - Choral n° 3 - 1st part - Matteo Imbruno - live recording 1995 -
Flentrop organ Grote Kerk Breda (NL)







C.Franck - Choral n° 3 - 2nd part -
Matteo Imbruno - live recording 1995 - Matteo Imbruno Flentrop Grote Kerk Breda(NL)




Wagner organ, 1739, Trondheim, Norway - Werckmeister II (IV)



The Baroque Organ in Nidaros cathedral, built by Joachim Wagner 1739-41
Changed by Claus Jensen 1860-90 Restored by Jürgen Ahrend 1994


Nidaros cathedral


The Sagas tell us how King Olav Tryggvason of Viking fame founded the city by the mouth of the River Nidelva in 997. Trondheim holds a special place in Norwegian history and culture. It was the first capital of Norway, and is still the city where new kings receive their ceremonial blessing in the Nidaros cathedral.




Situated by the Trondheim fjord, it is surrounded by lovely forested hills, with the Nidelv river winding through the town. It has been and still is a popular pilgrimage site and ecclesiastical centre, a regional capital and centre for commerce and administration. It features a professional theatre and symphony orchestra and a rich church music tradition.


Trondheim’s organ history dates back to the Middle Ages. A document from 1319 gives credit to the organ culture existing already by that time. In the cathedral, the baroque organ from 1741 has received international reputation as a “Bach” organ, and the large romantic Steinmeyer organ will undoubtedly regain international fame after its restoration.



The Wagner organ

The Cathedral's famous baroque organ was built by renowned organ builder Joachim Wagner and was completed in 1741. Wagner belonged to the community of organ builders around Johann Sebastian Bach, and his instruments lend themselves well for interpretations of Bach's music. The history of the baroque organ in the Cathedral is a history of modification, until it was finally stowed away when the new organ was set up in 1930. However, a surprising amount of the original material was still intact when the facade and the remains of the baroque organ were shipped to the great organ builder Jürgen Ahrend's workshop in Germany.

In 1994 the organ was completely restored and was again placed in the north transept of Nidaros Cathedral in all its former glory. Today there are only four other large Wagner organs, all in the Berlin area, in addition to ours. The organ in Nidaros Cathedral has 30 registers distributed on two manuals and pedals.




(This youtube is no longer available. )

Byne Cathrine Bryndorf at the Wagner organ, 1739, Trondheim, Norway - Temp. Werckmeister II (IV) Leipzig chorales, BWV 651, by JS Bach.


Hauptwerk – 1 manual:

Bordun 16
Principal 8
Rohrflöte 8
Octav 4
Spitzflöte 4
Quinta 3
Octav 2
Waldflöte 2
Cornet 3 fach
Scharff 5 fach
Mixtur 3 fach
Trompet 8

Oberwerk – 2 manual

Gedact 8
Quintadena 8
Principal 4
Rohrflöte 4
Nasat 3
Octav 2
Tertia 1 3/5
Quinta 1 1/2
Mixtur 4 fach
Vox humana 8
Mixtur 3 fach
Trompet 8




Pedalwerk:

Subbas 16
Principal 8
Octav 4
Quinta 3 eller 6
Mixtur 5 fach
Posaune 16
Trompete 8
Cleron 4

3 Sperrventile, Tremulant, Schwebung, Koppel zum manual Clavier, Zimbelstern / Sonne, Calkantglocke

Wind Pressure: 85 mm WS
Ting System: Werckmeister II (modified by Ahrend)
Pitch: a=453 Hz at 17,5 Celcius







Trondheim, Norway





The Steinmeyer organ
The large main organ in Nidaros Cathedral was built by the German company Steinmeyer. With its 127 registers the organ was one of the largest in North Europe until 1960, when it was moved and substantially modified. Even though the rebuilding ruined much of the original design and the acoustic balance, the sound of the instrument still affords the listener a sense of the original sound from the organ in the Cathedral. The organ is currently in a poor condition, but is still well worth preserving. A committee convened to assess the Steinmeyer organ in 1992 unanimously proposed that the organ should be restored to its original condition. Very few of these large German organs from this period still exist. Since 1999, a committee representing the concerned parties has been putting together specific plans for repairing and restoring the organ.

Up to 1993 the baroque organ facade was placed in front of the Steinmeyer organ as an ornament.